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Grab an extra box of tissues for this update as we’ve got SIX super hot Jason Sparks Models fucking for our first ever road trip ORGY! With so many sexy guys on tour together it was bound to happen so when the models begged Jason for a gang bang scene – how could he refuse. Everywhere you look someone is getting fucked or sucked – a totally cumtastic update!
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Milwaukee ORGY!
Mid Atlantic Leather in DC was once again a very fun time (IF, you like lots of leather-clad men running around in various stated of nakedness with sweaty pits, big bulges and insatiable sex drives…and we DO!). Hunter and I met a ton of HOT newbie bondage and leather boys and some seriously sweet fans. We even met a couple monster-cocked fans while we were there (see pic below). If you plan on going next year, we would HIGHLY recommend that you stop by the ManHunt booth. You cant miss it; it’s the booth with all the super fucking hot porn models standing around wearing nothing but ManHunt jock straps, lol. And in all honesty, that’s where Hunter and I usually spend the majority of our time. Why, you ask? Well, the models pass out free jock straps that you can only get if you let one of the super porn hotties strip you down to your birthday suit, then help you step into your jock. YES! It’s the hottest spot in all of MAL! There were more willing bottoms offering up ass than we could possibly shake a leather strap at! We took our buddy Davis with us, you’ll remember him from Fuck Me Like an Animal and Horse Hung Hairy Hole . As always, we had a fucking blast with Davis (just you wait for the vid)! Thanks to all the awesome fans that came up to us to say hi. You made us feel very welcome and loved in the leather community. If you were at MAL and had a wild time, let us hear about it (leave comment below)! XOXO Cole and Hunter
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WILD TIMES AT MID ATLANTIC LEATHER 2014!
In a kitchen even more unprepossessing than the one in the second scene, handsome Richard Pene decides to call Gomez Aguilar to help fix it up. Gomez seems a tad older than many of the models, but beefy and absolutely hunky. Richard is a smaller reedier guy, so the daddy-boy factor adds to the heat. Gomez gets on a ladder and Richard ends up undressing him down to his unbelievably extra large dark dick. This one would need two mouths conservatively to deep-throat it, but Richard works as hard as anyone could. How that will fit in his ass, I have no idea. Richard, packing mighty down there too, has a sweet ass and bends it over for his scary friend. Richard begs Gomez to go slow. He does, but he also manages to park the entire cock in Richard and then fuck with speed! This fuck is a definite keeper, if for no other reason than the fact that it happens, but it also helps that Gomez is a knowing top and keeps socking away at Richard with skill. Gomez is apparently so good that he gets a second position, a table-rocking missionary that gets them to cum. Horny, hung, UNCUT Brazilian studs, always ready for pleasure! Click here to download the full video at BrazilianStudz! Get FULL ACCESS to the entire CJXXX Porn Network with your BrazilianStudz membership!!
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Daddy-Boy Factor
Get behind the scenes with Woody Fox and James Longhill on their first shoot together! Always a pleasure to work with the Funny, yet very sexy Woody and on this shoot he was particularly energetic as he loved his little ginger partner!
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REDEFINING FUN TIMES – Backstage
At Boy Crush our models are fresh young men who have just barely turned 18. They exude their natural personality, and each person brings his unique talents to each video we produce. Andy’s Fun Pack is going to deliver all the hottest scenes of our guys action! Watch the Full Length, High Quality Movie! At Boy Crush our models are fresh young men who have just barely turned 18. They exude their natural personality, and each person brings his unique talents to each video we produce. Stars: Andy Kay Categories: Safe Sex High Definition Anal Twink Gay Amateur Scene Number: 4 Orientation: Gay Studio Name: Boy Crush
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Andy Kay’s Boy Crush Tryouts: Andy’s Fun Pack
BLISS MALE MAG, HOT OFF THE PRESSES ISSUE #13…. Edited exerpt from introduction to an Interview with Turk done this week: The Importance of Being Frank BLISS was created solely as a labor of love with the purpose of getting to know more about many of the photographers whom I had long standing admiration for. These were the artists that fueled my own dreams of honing my craft and improving with the hopes that my own work would eventually gain some semblance of recognition within the community of male image admirers. It was during the conceptual phase that I realized that my inspiration extended also to the models and that many of them had yet to be seen on a broader scale. I felt that if others could view these images it would not only increase visibility but also the same sense of wonder and appreciation that I get when I view their photographs. I started with a wish list of who I wanted to feature and what each of these artists and models represented in my eyes. I was enamored with model J. Phoenix and believed that he had just the right balance of classic beauty mixed with a modern twist, along with a raw sensuality that would interest potential viewers. He became the first cover model and interview. When I was gathering images to accompany his feature, I was instantly taken with a duo image that he did with another model – Turk Mason. There was something familiar about him but I was unable to place where I had seen his face before. Some quick research revealed that Turk Mason the model was also Turk Mason/Turk Melrose the porn star. There was no question that I wanted to feature him, but his superstar status left me in doubt about how agreeable he would be regarding an interview in a little known blogazine… In a moment of nerve, I contacted Turk and told him that I wanted to do a feature on him, but my original concept had evolved into doing a full issue devoted solely to three facets of his life. It was the longest interview I have done to date and covered the man, the model and the porn star. I have been fortunate in that every person who has been profiled was extremely gracious, but Turk still manages to come out as being the most involved and generous. He is highly intelligent, detail oriented and professional. He took the time out of his very busy schedule to work with me, including the editing process, to produce what marked the turning point for BLISS. Turk’s issue was posted in November of 2009 and it instantly garnered recognition for the magazine. The number of visits to the BLISS site for his post was 5 times higher than the entire prior month’s total. And the readers kept coming. It is now almost 2 years later and his feature remains in the top 3 of all time views, and was number 1 this past month. That is called staying power… Since it was the character of Turk and the words of Frank that pushed BLISS to a higher level, I thought it only fitting to revisit Frank and talk about this new chapter in his life. Once again, I got in touch with him to pitch my idea, and once again he replied with the same grace and humility as he did the first time I asked to profile him. There is no doubt that his multitude of fans will greatly miss Turk, but I have no doubt that they will embrace Frank with the same outpouring of love and support. Here’s to you, Frank. (Thanks to Sean Dibble for the kind words and support ) For the FULL INTERVIEW please go to … http://blissmalemag.blogspot.com …and please bookmark BLISS and visit there often. It’s a class act of good people.
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BLISS-FULL
I can not share enough with you how tiring this industry can truly be when dealing with the twink actors/models. I do try my best to bite my tongue, but there are times when I feel the need to speak my mind and share my side of what I experience with these young adults. Time to time, there comes an opportunity to work with an actor who’s done some work with other producers, which is usually a blessing. These guys are used to having a camera in their face, used to baring all in front of complete strangers. Some are great to work with, have great attitudes. Others are full of drama and all about being in the spotlight. And of course, there’s the really difficult ones that just don’t work out. Chase Harding & Aaron Tyler text me out of the blue one night months ago while they were in town. Asked me if I was interested in filming some scenes with the two of them. I of course already worked with Chase, heard about Aaron, never had that opportunity being exclusive with Helix, so I had interest. But when it came down to how much they wanted to be paid. Well, I’ve received some ridiculous rates before, but they wanted me to put them up for a week in a penthouse suite at the Wynn Hotel & Casino here in Vegas. And if I agreed, I’d receive a discounted rate to use them in scenes. A discounted rate? When we’re talking about a 10,000 tab plus to put someone up at a penthouse suite at the Wynn for a week, who in their right mind would entertain this idea?? I of course, politely declined. In a recent blog over at Aaron Tylers blog he goes on to talk about sleazy producers, now including me of course because he and I were unable to negotiate a rate for him to appear in Twinklight. He left out his initial email on his blog, which I’ll post below. It amazes me that I go from having his respect, and him saying how well I treat my actors, that he would love to work with me, to being a slime ball producer, trying to take advantage of actors because he couldn’t come forward with a rate. I want everybody to know I NEVER turned down Aaron’s rate, because he simply never gave me one. And for someone who’s been in this industry to not know how much he wanted to be paid is complete bull shit. When I was going to work with Brent Corrigan, he gave me his rate. Turk Melrose, gave me his rate. Ralph Woods, gave me his rate. Now just because I may not be able to pay these actors their rates, certainly doesn’t make me a slime ball. About a month ago, I received an email from Aaron, which read: I hope everything is going great for you. And that you are having a great year. You have amazing work and although I know there was ALOT of drama caused by alot of people, I wanted you to know man to man, that it was never my intention to cause any bad blood between us. I have always wanted to work with you and hope that, that is still a possibility someday. Also, whatever anyone said about a rate in regard to me to you is BS. I know how the economy is and I also know that you film 1000’s of guys and dont need any divas or people with bs. I hope you can accept my apology for not talkin to you face to face on this matter! And also, for any thing anyone has said I said or did which isnt true, I have always had the upmost respect for you, from the way I have seen that you treat your models to the way that you film great work. Yours truly, Aaron Tyler So, in response to his email that he sent me above, I asked him if he would be interested in joining the Twinklight cast. The rest of our conversations went into negotiation about how much money he would be paid. That we of course had issues with before. I wanted to know what his going rate was, as almost every actor has a going rate. I understand an actor wants to get as much money as he possibly wants, but almost everybody knows my rates. So if I have the ability to increase a rate, I need to have justification to do this. It has nothing to do with being a slime ball in this industry. When you make a film, you have a budget and the most important element in film making is the budget. 99% of the time you’re going to go over budget. But if and when you do, you need to be able to justify it’s overage somehow. If it’s getting an actor in that has a large following that will add a few hundred, thousand DVD sales, then you take that into account and try to meet the actor in his request. This was my intention with Aaron. I wanted to know his following, I wanted to know when he was last filmed, how many scenes he did, and how much approximately he was compensated. Instead of coming back with a ball park, he directed me to his agent because he says it was getting too complicated. Couldn’t he simply return with 500-800/scene, or 1000-2000/scene, etc. ? I can move my numbers around my budget however I need to make them work, and my intention was to try my best to meet Aarons rate best way I could. Unfortunately, he didn’t want to share his rate, in which case I thanked him for his time. Given the circumstances, my feelings were his initial email to me was BS. I’m not new to this, I’ve been doing this for 8 years now and if an actor really truly wants to work with me, he’s going to show that in his communication. He cut it off when he directed me to his agent, as he didn’t initially direct me there. When it comes to paying an actor for scenes on a website, I have specific budget and actors are paid on a scale from beginning to experienced rates. They fall well within the going rate of web scenes. I’m told from actors I pay more. Some actors I’m told I pay less. None the less, both of these types of actors come back for work and I pay what my budget allows. I’ve worked with actors that receive thousands of dollars per scene who take less to work with me. Actors who come back time and time again. Why do you think that is? Because I’m a slime ball trying to take advantage of them? Anybody who’s actually worked with me knows that not to be true. When it comes to features, the budget is completely different. Actors are NOT paid the same rates as they are for web scenes. They are paid more. And their pay is all dependent on their experience, ability to perform, looks, audience, etc. Many factors go into their pay, and if an actor is NOT willing to put a price out there, he’ll never know if that price can be met. Aaron Tyler knows what his worth is, he knows what he wants to be paid per scene. He knows what I pay, he knows my work, he said so in his initial email to me on facebook. So, why make things difficult and send me to an agent? Simply give me your asking rate and I’ll tell you if I can meet it or not. Plain and simple. End of story. I hold nothing against Aaron Tyler, I don’t know him well enough to cast any judgment onto him. But with my experience with him, it didn’t feel like he was serious about working with me, so we went our separate ways. No harm, no foul. Aaron knows me well enough to know I don’t like to deal with drama even though it comes creeping on my door all the time. If Aaron is willing to come forward with his rate, I’d be happy to let him know if I can meet it or not. It is not personal, it’s business and if my budget allows for it, I’ll certainly do it. If Aaron decides not to work, I wish him the best in his future.
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Aaron Tyler….Twinklight?
